Whether or not this is a lame excuse, any film that is outright banned, or even cut, only augments Spasojević’s argument that a fascist New World Order is trying to manipulate the masses with romanticized untruths. They feel their movie is an indictment against the political correctness upheld in Serbian films, most of which are funded and censored by bureaucrats, both foreign and national. ![]() The filmmakers justify the gratuitous violence as a metaphor to the aftermath of surviving in postwar Serbia. Spasojević co-wrote the film with Aleksandar Radivojević and co-produced it with Dragoljub Vojnov. There are some, however, who regard the film as a masterpiece of social commentary. ![]() ![]() ![]() In director Srđan Spasojević’s feature debut, A Serbian Film is considered by many as the most depraved, vile, and inhumane film ever created.
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